Artifice, Musée de l’Ardenne, Médiathèque Charleville-Mézières, 2013-2015.
Prix d'art / Kunstpreis Robert Schuman, École supérieure d'art, Église des Trinitaires, Centre d'art contemporain Faux Mouvement, Église Saint-Pièrre-aux-Nonnains, Metz, 2009.
Pedagogical materiality covers all media, tools, objects, toys and devices dedicated to the transmission of knowledge. In short, all the ‘things' which accompany educational activity, regardless of the place in which it occurs. Because this materiality is expressed in terms of properties perceptible through the senses, its uses are particularly popular throughout the pre-school period and in early-learning methods. Éloïsa Pérez's essay discusses examples from the early 19th century until today. It is structured in three parts: constructing (the letter), guiding (the movement through trajectory and tracing) and composing (the word). The pamphlet is accompanied by the edition of an exclusive capital lettering template and two postcards. Edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series. Translated into English by Nigel Briggs.
The material discovery of the alphabet, Éloïsa Pérez, Poem, Frankfurt am Main, 2021. Published by Poem.
Yona Friedman. La création, Centre d'art contemporain – La synagogue de Delme, 2009.
Une brève histoire des lignes, Centre Pompidou-Metz, 2013.
One week workshop and research trip with ANRT students at Biblioteca Santa Scolastica in Subiaco, 2018. Digital revival of the two types used (and probably also created) by Konrad Sweynheim & Arnold Pannartz in Subiaco and Rome. Part of the Gotico-Antiqua research program. Published as free OpenSource fonts at ANRT (link below).
Sweynheim & Pannartz, w/ Thomas Huot-Marchand & Emilie Rigaud (ANRT), Biblioteca Santa Scolastica, Subiaco, 2018.
Durandus, Hochschule Mainz, Gutenberg Museum, 2016.
One week workshop with Bachelor students. Design of a digital alphabet where capitals and minuscules have a distinctive different drawing.
Two types in one, Hochschule Aachen, 2019.
Espèce d'ABC pour un espace à travers, École nationale supérieure d'art, Nancy, 2007.
Bilingual (French, German) supplement to Pangramme: learning type catalogue, published by ESAL Metz, published at the occasion of the traveling exhibition at Biennale de design graphique Chaumont and Museum für Druckkunst Leipzig in 2017 and 2018. Texts by Andrea Tinnes, Thomas Huot-Marchand, Sébastien Morlighem and Jérôme Knebusch. 15x26 cm, 16 pages pamphlet. Free PDF downloads (links below). More information about the exhibtion here.
Pangramme: learning type design, ESAL Metz, Biennale de design graphique Chaumont, Museum für Druckkunst Leipzig, 2017-2018.
A letter from Sancho Panza to his wife, HEAR Mulhouse, 2015.