Zainer’s Gotico-Antiqua, Hochschule & Stadtbibliothek Aachen, 2017.
Là où les détails se cachent, Sébastien Gouju, Institut Français Stuttgart, 2013.
Je t'aime, moi non plus, Ergastule & My Monkey, Nancy, 2013-2017.
Philly Hands is a concise but in-depth survey description of Philadelphian street penmanship, written and photographed by François Chastanet. It explores the Philly writers’ lexicon of ‘hands’, ranging from the original Gangster Prints to the Tall Hands, Wickeds, Stiff Hands, Punchlines, and more. It also provides a rare glimpse into the preparatory work done on paper before performing in the street. Through ductus diagrams, the inner tracing logic of landmark letters is revealed, offering insights into the unique calligraphic tradition of Philadelphia – nicknamed ‘Whip City’ and celebrated as the land of extreme cursivity. With a legacy spanning more than fifty years, the city has much to offer to lettering enthusiasts. Some cities are able to develop their own scriptural ‘texture’, going beyond individual experiments with the image of the name. Edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series.
Philly Hands, François Chastanet, Poem, Frankfurt am Main, 2024.
Artifice, Musée de l’Ardenne, Médiathèque Charleville-Mézières, 2013-2015.
Decode Blockdock is a font which integrates a representative, uniformed glyph for each encoded Unicode block. Commissioned by Johannes Bergerhausen from Institut Designlabor Gutenberg/ Hochschule Mainz and used for the decodeunicode and worldswritingsystems websites (links below), and its iconic poster together with the missing scripts (ANRT research program).
Decode Blockdock, custom typeface, Hochschule Mainz, 2015-2023.
Visual identity and design of the Brave New World Order – Triennale Jeune Création website. The young art triennale is a major event for emerging artists from Luxembourg and the Greater Region. The website showcases 40 artists and a forum, initiated during the Covid pandemic which delayed the exhibition for one year. Each artist could login and update his profile. The starting page is randomly customized, displaying each time in another order the black and white identity drawings. The identity integrated the custom design of a typefaces in two styles.
Brave New World Order – Triennale Jeune création, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2020-2021, w/ Thomas Bouville.
Yona Friedman. La création, Centre d'art contemporain – La synagogue de Delme, 2009.
Hamlet, Bauhaus Universität, Weimar, 2018.
Etienne Pressager, Malzéville, 2006. etiennepressager.fr
Custom typeface in two styles, upright and italic, respectively entitled 1981 and 1996. While the first is a relecture of the first digital typefaces and their idiosyncratic approach, the second, more mature, comes closer to 1990s humanistic sans serifs. Used exlusively for the identity design of Brave New World Order – Triennale Jeune Création held at Rotondes and Casino Luxembourg. The young art triennale is a major event for emerging artists from Luxembourg and the Greater Region. The 2021 edition was devoted to the millennials generation. See here the typeface use within the overall design. See here the typeface use within the design of the catalogue. Here for on the signage project. And here for the website. A preliminary version was used here.
Triennale 1981-1996, custom typeface, Triennale Jeune Création, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2020.
One week workshop at Hochschule Mainz with Bachelor students. Design of a full digital alphabet with predefined geometric modules.