Atelier Jérôme Knebusch
Mainzer Landstraße 105
60329 Frankfurt am Main
jk [at] jeromeknebusch.net
+49 69 15 61 60 23

Chercher sa recherche, Ministère de la culture, ENSAD Nancy, 2012. Published by Presses Universitaires Nancy.

La fin du monde [The end of the world] resembles a thistle or a holly branch. During his residency at the Ergastule studios in Nancy, France, Jérôme Knebusch created twelve in a limited edition. All look similar, but none are identical. They were vector drawn, laser cut in brass, manually folded and oxidized in vinegar steam. Six are exclusively available at Poem, six others at Ergastule. The thistle photograph by Emile Gallé is from the École de Nancy archives.

Title
La fin du monde
Date
2022
Type
Artworks
Client
Ergastule
Place
Nancy
Material
Brass, vinegar oxidized
Edition
Ergastule
Edition
Poem

La fin du monde (2209C47A to L), brass, vinegar oxidized, c. 30 × 5 × 5 cm, 2022. Édition Ergastule, 12 unique + 12 AP

Je t'aime, moi non plus, Ergastule & My Monkey, Nancy, 2013-2017.

Katjas Kinderkrippe, Baden-Baden, 2016.

One week workshop and research trip with ANRT students at Biblioteca Santa Scolastica in Subiaco, 2018. Digital revival of the two types used (and probably also created) by Konrad Sweynheim & Arnold Pannartz in Subiaco and Rome. Part of the Gotico-Antiqua research program. Published as free OpenSource fonts at ANRT (link below).

Title
Sweynheim & Pannartz
Date
2018
Type
Education, Research
Client
Atelier National de Recherche Typographique
Place
Subiaco
Material
Workshop
Publication
Free OpenSource fonts

Sweynheim & Pannartz, w/ Thomas Huot-Marchand & Emilie Rigaud (ANRT), Biblioteca Santa Scolastica, Subiaco, 2018.

Editorial design of the Pangramme: learning type design catalogue, published by ESAL Metz, 2016. The catalogue showcases fifty unpublished student type designs, interviews held by the Design graphique & Typographie class at ESAL Metz with the jury members: Andrea Tinnes (Germany), Alejandro Lo Celso (Argentina), Matthieu Cortat (France), Hans-Jürg Hunziker (Switzerland) & Gerard Unger (Netherlands). The catalogue features also bibliography in images, essential books when learning type design, published between 1905 and 2016. Book entirely printed in single black, and distributed freely at the opening of the exhibition. 15x26 cm, 200 pages, soft-cover with dustjacket, limited to 300 copies. Free PDF download of the catalogue (link below). More information about the exhibition here.

Title
Pangramme: learning type design
Date
2016
Type
Education, Editorial design
Client
École Supérieure d'Art de Lorraine
Place
Metz
Material
Catalogue
Assistance
Francis Ramel, Rafael Ribas
Text typeface
Messine
Paper
Munken Lynx
Printing
Imbescheidt, Frankfurt am Main
Edition
École Supérieure d'Art de Lorraine

Pangramme: learning type design, ESAL Metz, 2016.

Zainer’s Gotico-Antiqua, Hochschule & Stadtbibliothek Aachen, 2017.

One week workshop at Hochschule Mainz with Bachelor students. Design of a full digital alphabet with predefined geometric modules.

Title
Learning from Albers
Date
2017
Type
Education
Client
Hochschule Mainz
Place
Mainz
Material
Workshop

Learning from Albers, Hochschule Mainz, 2017.

It is usually believed that the typefounder Robert Thorne (1753–1820) was the first to have introduced in the early 19th century the ‘fat face’, a swollen offspring of the new ‘modern’ types then in vogue. Sébastien Morlighem’s essay intends to reassess his precise role in its development as well as other English founders. It is built on a re-reading of several key texts and a careful survey of original specimen books from the Thorne, Caslon & Catherwood, Fry & Steele and Figgins foundries. Edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series.

Title
Thorne and the origin of the 'modern' fat face
Date
2020
Type
Editorial design
Client
Poem
Place
Frankfurt am Main
Material
Pamphlet
Publisher
Poem

Thorne and the origin of the 'modern' fat face, Sébastien Morlighem, Poem, Frankfurt am Main, 2020.

Koch Lichte Grotesk is the newest revival of Lichte Neuland by Rudolf Koch, designed by Edvinas Žukauskas and Jérôme Knebusch and published by Poem for Neuland’s centenary in 2023. Lichte Neuland appeared five years after Neuland in 1928, in the Gebr. Klingspor specimen dedicated to the American market by the Continental Typefounders Association. Koch Lichte Grotesk is an accurate revival of the 12 pt Cicero size, the smallest one. It is currently the only fully identified original size, as shown on the 1928 index card of the German Association of Typefounders. This association was founded at the beginning of the 20th century and most German type foundries were members. It served to represent their interests in economic, political and legal matters. A secondary source are the Lichte Neuland Cicero letters from the letterpress workshop P98A, Berlin. Koch Lichte Grotesk is available in four fonts: 12 Cicero, 12 Cicero Plain, 12 Cicero Inline and 12 Cicero Line. 10% of licence purchases are deposited each year as flowers on Koch's grave.

Title
Koch Lichte Grotesk
Date
2023
Type
Type design
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Conference
ENSAD Nancy 2023
Photography
Norman Posselt
Publisher
Poem

Koch Lichte Grotesk, typeface, 2023, w/ Edvinas Žukauskas. Published by Poem.

Custom all-caps typeface in medium weight, used throughout the museum's documents and announcements. The nearby, recently restored Villa Majorelle uses the typeface as well for its signage. The typeface gathers different Art Nouveau forms found in architecture, furniture or art and transposes them into one harmonizing design. It is further is characterized by wide capitals in many variants. The six styles (Crocus, Dahlia, Gingko, Nenuphar, Rose, Thistle) are arranged from the most quiet to the most expressive letter­forms. Designed with Philippe Tytgat. Graphic design by Lab.Leblond.Tytgtat, Nancy. The typeface was later extended to minuscules in diverse weights, and published by Poem as a full retail type family in 2022.

Title
Nouveau
Date
2018–2020
Type
Type design
Client
Musée de l’Ecole de Nancy
Place
Nancy
Material
Custom typeface
Award
Type Directors Club 2023
Publication
Poem

Nouveau, custom typeface, Musée de l’Ecole de Nancy, w/ Philippe Tytgtat, Nancy, 2018-2020. Graphic design Lab.Leblond.Tytgtat.

The book brings together researchers from the fields of typography, palaeography and incunabula studies, with a particular focus on type and letterforms. The relatively understudied period – after Gutenberg and before the consolidation of Jenson’s model – extends from the earliest traces of ‘humanistic’ tendencies to ‘pure’ roman type, including many cases of uncertain or experimental design, voluntary hybridisation and proto- or archaic roman. In 1459 in Mainz, Johann Fust and Peter Schöffer printed the Rationale Divinorum Officiorum by Guillaume Durand, using a typeface (now known as ‘Durandus’) that looked like no other before. From that point, we can follow a wide variety of developments, partly related to the travels of early printers from the Rhine area to Italy and France. By extension, the private press movement initiated by William Morris and Emery Walker at the end of the nineteenth century in England, revived some of those typefaces before they were once more largely forgotten.

Title
Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman
Date
2021
Type
Editorial design, Research
Client
Poem, Atelier National de Recherche Typographique
Place
Nancy
Material
Book
Editorial direction
Jérôme Knebusch
Translation
Nigel Briggs, Jean-François Caro
Photography
Nabila Halim
Format
16×23,6 cm
Paper
Fedrigoni Sirio, Arena White Rough
Pages
496
Printing
Imprimerie Moderne, Pont-à-Mousson
Binding
Cloth hardcover, sewn, hot foil embossing, 2 colour screenprint on edges, 2 bookmarks
Publisher
Poem, ANRT/ENSAD, les presses du réel
Award
Fedrigoni Top Award 2022
Award
Most Beautiful German Books Shortlist 2021
ISBN
978-2-37896-226-5

Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman, Jérôme Knebusch (ed.), Poem & ANRT/ENSAD, Frankfurt am Main & Nancy, 2021.

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