Katjas Kinderkrippe, Baden-Baden, 2016.
Zainer’s Gotico-Antiqua, Hochschule & Stadtbibliothek Aachen, 2017.
Of all the title fonts from the Klingspor type foundry, Neuland was probably the most frequently used abroad. But how was it produced? A letter Koch sent to Ernst Kellner in 1922 raises more questions than it answers, and designers have speculated for nearly half a century about whether Koch really cut the hallmarks without any preparation. Dan Reynolds has examined the various sources; Edvinas Žukauskas and Jérôme Knebusch have digitised the different sizes for the first time. The essay Making Neuland and the typeface Koch Grotesk were published by Poem for Neuland’s centenary in 2023. Conference held at ENSAD Nancy, 28 November 2023. It was recorded, link below.
Making/Remaking Neuland, conference, ENSAD Nancy, w/ Dan Reynolds & Edvinas Žukauskas, 2023.
One week workshop with Bachelor students. Design of a digital alphabet where capitals and minuscules have a distinctive different drawing.
Two types in one, Hochschule Aachen, 2019.
Conference given at ISType Mono series, Istanbul, in 2014. Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. More informations on Instant here. Video link below.
Instant: from handwriting to type design, conference, ISType Mono, Istanbul, 2014.
Un mot, un matériau, École Française de Saarbruck et Dilling, 2008.
Une brève histoire des lignes, Centre Pompidou-Metz, 2013.
Three lingual, 16 pages article about the genesis of the Instant typeface. Published in Typografische Monatsblätter / Revue Suisse de l'imprimerie / Swiss Typographic Magazine, N°6, 2012. Written by Jérôme Knebusch. Free PDF download on link below.
Instant: from handwriting to type design, Typografische Monatsblätter / Revue Suisse de l'imprimerie / Swiss Typographic Magazine, N°6, 2012.
One hour conference about four typeface projects: Instant, Almost, Triennale and Nouveau. Given at Fonts & Faces symposium #9 curated by Simon Renaud. Video recording link below.
Instant Nouveau, conference, Fonts & Faces #9, symposium, Campus Fonderie de l'Image, Paris, 2022.
Alte Buchbinderei Appartements, Baden-Baden, 2016.
À l’occasion > Rencontres nationales de la Fraap, Trinitaires & 49 Nord 6 Est Frac Lorraine Metz, 2008.
Of the display typefaces Rudolf Koch designed, Neuland may have received the most use abroad. But how was it made? A 1922 letter Koch sent to Ernst Kellner provides more questions than answers, and designers have speculated for almost half a century about whether Koch really cut its punches without any preparation. Dan Reynolds’s essay reviews these textual sources, comparing them with surviving process material preserved in the Klingspor Museum and elsewhere. Written by Dan Reynolds and edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series.