Atelier Jérôme Knebusch
Mainzer Landstraße 105
60329 Frankfurt am Main
jk [at] jeromeknebusch.net
+49 69 15 61 60 23

Europa String Quartet, Marienkirche, Berlin, 2009.

Pedagogical materiality covers all media, tools, objects, toys and devices dedicated to the transmission of knowledge. In short, all the ‘things' which accompany educational activity, regardless of the place in which it occurs. Because this materiality is expressed in terms of properties perceptible through the senses, its uses are particularly popular throughout the pre-school period and in early-learning methods. Éloïsa Pérez's essay discusses examples from the early 19th century until today. It is structured in three parts: constructing (the letter), guiding (the movement through trajectory and tracing) and composing (the word). The pamphlet is accompanied by the edition of an exclusive capital lettering template and two postcards. Edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series. Translated into English by Nigel Briggs.

Title
The material discovery of the alphabet
Date
2021
Type
Editorial design
Client
Poem
Place
Frankfurt am Main
Material
Pamphlet
Publication
Poem

The material discovery of the alphabet, Éloïsa Pérez, Poem, Frankfurt am Main, 2021. Published by Poem.

Etienne Pressager, Malzéville, 2006. etiennepressager.fr

Conference given at ISType Mono series, Istanbul, in 2014. Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. More informations on Instant here. Video link below.

Title
Instant: from handwriting to type design
Date
2014
Type
Research
Client
ISType
Place
Istanbul
Material
Conference
Video
IStype Mono 2014

Instant: from handwriting to type design, conference, ISType Mono, Istanbul, 2014.

Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. Instant was designed by Jérôme Knebusch in 2005 as part of a personal research project at ANRT Nancy. First published in 2012 by BAT Foundry, it is today available at Poem. In 2020, Instant Variable was added to the collection.

Title
Instant
Date
2005–2012
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Article
Typografische Monatsblätter 2012
Interview
Azimuts 2013
Conference
IStype Mono 2013
Award
Typo­graphica 2012
Award
Best ten fonts of the year, Fontwerk 2012
Publication
Poem

Instant, typeface, 2005-2012. Research project at ANRT Nancy. Published by Poem.

Zainer’s Gotico-Antiqua, Hochschule & Stadtbibliothek Aachen, 2017.

Bilingual (French, German) supplement to Pangramme: learning type catalogue, published by ESAL Metz, published at the occasion of the traveling exhibition at Biennale de design graphique Chaumont and Museum für Druckkunst Leipzig in 2017 and 2018. Texts by Andrea Tinnes, Thomas Huot-Marchand, Sébastien Morlighem and Jérôme Knebusch. 15x26 cm, 16 pages pamphlet. Free PDF downloads (links below). More information about the exhibtion here.

Title
Pangramme: learning type design
Date
2017–2018
Type
Education, Editorial design, Research
Client
Biennale de design graphique Chaumont, Museum für Druckkunst Leipzig
Place
Chaumont, Leipzig
Material
Essays
German translation
Interpreters International, Strasbourg
Proofreading German
Christine Hartmann
Typeface
Messine
Paper
Munken Lynx
Printing
Imbescheidt, Frankfurt am Main & Pöge Druck, Leipzig
Download
French edition
Download
German edition

Pangramme: learning type design, ESAL Metz, Biennale de design graphique Chaumont, Museum für Druckkunst Leipzig, 2017-2018.

Accent sur Est, École Supérieure d’Art, Metz, 2008.

Jardin de Cristal, Abbaye des Prémontrés, Pont-à-Mousson, 2007.

Nouveau is a playful Jugendstil typeface based on a modernist design. Sometimes qualified in German speaking regions as Künstler-Grotesk – ‘Artist Sans Serif'– the typeface gathers different Art Nouveau forms found in architecture, furniture or art and transposes them into one harmonizing design. The typeface is characterized by wide capitals in many variants paired to slightly condensed minuscules with a generous x-height. Five weights range from hair strokes to a robust medium. The six styles (Crocus, Dahlia, Gingko, Nenuphar, Rose, Thistle) are arranged from the most quiet to the most expressive letter­forms. A variable font assembles all styles in one and makes them accessible through a weight and an exclusive flora axis. Nouveau was designed by Jérôme Knebusch and Philippe Tytgat and published in 2022 by Poem. It was initially created as an all-caps custom type for the École de Nancy, the Art Nouveau museum in France.

Title
Nouveau
Date
2018–2022
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Photography
David Axelbank
Award
Type Directors Club 2023
Publication
Poem

Nouveau, typeface, 2018-2022, w/ Philippe Tytgat. Published by Poem.

Ergastule, Nancy, 2008-2014.

Brave New World Order catalogue, exhibition held 2021 at Rotondes, Casino Luxembourg – Forum d'art contemporain. The exhibition was entirely photographed so that the catalogue resembles a guided tour. Shorter, white info sheets come next to the photographs to identify the artworks. Three bookmarks permit multiple entries and reflect the black identity lines. The dust jacket once unfolded presents the exhibition poster. The books uses the custom design of a typefaces in two styles. More information on the project on its dedicated website, also designed (link below).

Title
Triennale Jeune Création
Date
2021
Type
Editorial design
Client
Rotondes, Casino Luxembourg
Place
Luxembourg City
Material
Catalogue
Publisher
Rotondes, Luxembourg & Casino Luxembourg – Forum d’art contemporain, Luxembourg
Editors
Kevin Muhlen, Marc Scozzai
Translation
Patrick Kremer
Photography
Andrés Lejona
Format
20x30 cm
Papers
Fedrigoni Arena Extra-White Smooth, Sirio Black, Bruno & Perla, Symbol Freelife Matt Plus
Pages
292
Printing
Cassochrome, Waregem
Binding
Soft cover, dust jacket, perfect binding
Website
bravenewworldorder.lu
Copies
700
ISBN
978−2−919790−20−3

Brave New World Order, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2021.

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