Europa String Quartet, Marienkirche, Berlin, 2009.
Triennals, prefiguration event of the Luxembourg young contemporary art triennale, with former triennale participants. Custom single-typeface and 'ongoing' visual identity which will evolve in the Brave New World Order identity of the triennale held one year later. See this website for more.
Triennials, visual identity & custom typeface, Rotondes, Cercle Cité, Casino Luxembourg, 2020.
Chercher sa recherche, Ministère de la culture, ENSAD Nancy, 2012. Published by Presses Universitaires Nancy.
‘What if' is a typical question for an alternate history scenario, also called Uchronia: choose a starting point in history and imagine a different outcome. Based on Futura Fett, released by the Bauer Foundry in Frankfurt in 1928, the type was pushed to extreme blackness without loosing its historical reference nor becoming a caricature. Decisions Paul Renner took to achieve maximum boldness like opening the counters of some letters were taken even further. The typeface, designed by Constantin Pfeiffer & Jérôme Knebusch and released in 2020, was initially created during a workshop at the Gutenberg Museum Mainz at the occasion of the 'Futura. Die Schrift' exhibition in 2017. It has a single weight (among the blackest one can find), five widths and respective oblique versions. The glyphset is extended with Futura's iconic historical alternates, ‘Schmuck-Elemente' (decorative geometric forms) and a complete range of thin punctuation marks and diacritics.
If, typeface, w/ Constantin Pfeiffer, 2007-2020. Published by Poem.
Louis Hoell cut the punches for the only published typeface Otto Eckmann ever designed. The story of the Eckmannschrift’s creation has often been told. In retrospect, it was the release that made Karl Klingspor’s reputation as a typefoundry director of note. Yet instead of looking at the Eckmannschrift from Klingspor or Eckmann’s point of view, Dan Reynolds's essay directs its focus to what Hoell’s design contributions to the project might have been. With rare and unpublished material from the Klingspor archives in Offenbach am Main. Edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series.
Louis Hoell and the making of the Eckmannschrift, Dan Reynolds, Poem, Frankfurt am Main, 2020.
Artifice, Musée de l’Ardenne, Médiathèque Charleville-Mézières, 2013-2015.
Schriftgestaltung: zwischen Leserlichkeit und Ausdruck, Hochschule Darmstadt, 2016.
Ergastule, Nancy, 2008-2014.
Visual identity and design of the Brave New World Order – Triennale Jeune Création held at Rotondes and Casino Luxembourg – Forum d'art contemporain in 2021. The young art triennale is a major event for emerging artists from Luxembourg and the Greater Region. Initiated during Luxembourg European Capital of Culture 2007, the Triennale was held for the fifth time in 2021. Under the curation of Kevin Muhlen, director of the Casino Luxembourg, the exhibition was highlightning a 'Brave New World Order' as seen and represented by millennials. Design of posters, booklets, ads, invitations, outdoor shops and more. The identity integrated the custom design of a typefaces in two styles. See here for more information on the design of the catalogue. Here for more information on the signage project. And here for the website.
Brave New World Order – Triennale Jeune Création, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2021.
Jardin de Cristal, Abbaye des Prémontrés, Pont-à-Mousson, 2007.
One week workshop at Hochschule Mainz with Bachelor students. Design of a full digital alphabet with predefined geometric modules.
Learning from Albers, Hochschule Mainz, 2017.