Un mot, un matériau, École Française de Saarbruck et Dilling, 2008.
Schriftgestaltung: zwischen Leserlichkeit und Ausdruck, Hochschule Darmstadt, 2016.
Editorial design of the Pangramme: learning type design catalogue, published by ESAL Metz, 2016. The catalogue showcases fifty unpublished student type designs, interviews held by the Design graphique & Typographie class at ESAL Metz with the jury members: Andrea Tinnes (Germany), Alejandro Lo Celso (Argentina), Matthieu Cortat (France), Hans-Jürg Hunziker (Switzerland) & Gerard Unger (Netherlands). The catalogue features also bibliography in images, essential books when learning type design, published between 1905 and 2016. Book entirely printed in single black, and distributed freely at the opening of the exhibition. 15x26 cm, 200 pages, soft-cover with dustjacket, limited to 300 copies. Free PDF download of the catalogue (link below). More information about the exhibition here.
Pangramme: learning type design, ESAL Metz, 2016.
One week workshop with Bachelor students. Design of a digital alphabet where capitals and minuscules have a distinctive different drawing.
Two types in one, Hochschule Aachen, 2019.
Hamlet, Bauhaus Universität, Weimar, 2018.
In 2011, students of ESAL Metz started within a workshop with Argentinian type designer Alejandro Lo Celso and their teacher Jérôme Knebusch a specific design for their school. Looking for a bookish typeface tending to modern forms, the students found interesting references in the work of Baskerville and Didot, precisely: exactly inbetween. The type grew during the following years, each time in intensive workshop sessions, to a complete type family named Messine, covering text, display, poster, italic, bold, sans and serif versions. Today, Messine is the official and exclusive typeface of the school, used all over its documents.
Messine, workshop programme, custom typeface, w/ PampaType, ESAL Metz, 2011-2019.
Art direction, design & organisation of the Pangramme: learning type design call and exhibition together with the Design graphique & Typographie class at ESAL Metz. The exhibition showcases fifty unpublished student type designs. Jury: Andrea Tinnes (Germany), Alejandro Lo Celso (Argentina), Matthieu Cortat (France), Hans-Jürg Hunziker (Switzerland) & Gerard Unger (Netherlands). The exhibtion traveled after ESAL Metz to ESAD Amiens, Le Signe Chaumont, ATypI Montréal and Druckkunst Museum Leipzig. Free PDF download of the catalogue (link below).
Pangramme: learning type design, ESAL Metz, ESAD Amiens, Le Signe Chaumont, ATypI Montréal, Druckkunst Museum Leipzig, 2016-2018.
One week workshop and research trip with ANRT students at Biblioteca Santa Scolastica in Subiaco, 2018. Digital revival of the two types used (and probably also created) by Konrad Sweynheim & Arnold Pannartz in Subiaco and Rome. Part of the Gotico-Antiqua research program. Published as free OpenSource fonts at ANRT (link below).
Sweynheim & Pannartz, w/ Thomas Huot-Marchand & Emilie Rigaud (ANRT), Biblioteca Santa Scolastica, Subiaco, 2018.
Parix, w/ Thomas Huot-Marchand, isdaT Toulouse, 2018.
Zainer’s Gotico-Antiqua, Hochschule & Stadtbibliothek Aachen, 2017.
Durandus, Hochschule Mainz, Gutenberg Museum, 2016.