Futura Super Extra Bold, Gutenberg Museum Mainz, 2017.
Un mot, un matériau, École Française de Saarbruck et Dilling, 2008.
One week workshop with Bachelor students. Design of a digital alphabet where capitals and minuscules have a distinctive different drawing.
Two types in one, Hochschule Aachen, 2019.
A letter from Sancho Panza to his wife, HEAR Mulhouse, 2015.
Bilingual (French, German) supplement to Pangramme: learning type catalogue, published by ESAL Metz, published at the occasion of the traveling exhibition at Biennale de design graphique Chaumont and Museum für Druckkunst Leipzig in 2017 and 2018. Texts by Andrea Tinnes, Thomas Huot-Marchand, Sébastien Morlighem and Jérôme Knebusch. 15x26 cm, 16 pages pamphlet. Free PDF downloads (links below). More information about the exhibtion here.
Pangramme: learning type design, ESAL Metz, Biennale de design graphique Chaumont, Museum für Druckkunst Leipzig, 2017-2018.
Hamlet, Bauhaus Universität, Weimar, 2018.
Zainer’s Gotico-Antiqua, Hochschule & Stadtbibliothek Aachen, 2017.
Durandus, Hochschule Mainz, Gutenberg Museum, 2016.
In 2011, students of ESAL Metz started within a workshop with Argentinian type designer Alejandro Lo Celso and their teacher Jérôme Knebusch a specific design for their school. Looking for a bookish typeface tending to modern forms, the students found interesting references in the work of Baskerville and Didot, precisely: exactly inbetween. The type grew during the following years, each time in intensive workshop sessions, to a complete type family named Messine, covering text, display, poster, italic, bold, sans and serif versions. Today, Messine is the official and exclusive typeface of the school, used all over its documents.
Messine, workshop programme, custom typeface, w/ PampaType, ESAL Metz, 2011-2019.
Schriftgestaltung: zwischen Leserlichkeit und Ausdruck, Hochschule Darmstadt, 2016.
Espèce d'ABC pour un espace à travers, École nationale supérieure d'art, Nancy, 2007.