![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Nouveau, typeface, 2018-2022, w/ Philippe Tytgat. Photography: David Axelbank. Published by Poem
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Reviving Ange Degheest, Poem, Frankfurt am Main, 2022. Published by Poem
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Brave New World Order – Triennale Jeune Création, catalogue, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2021. Photography: Andrés Lejona Available here
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Brave New World Order – Triennale Jeune Création, signage, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2021. Scenography: Morgan Fortems
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Brave New World Order – Triennale Jeune Création, visual identity, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2021. Animations: Philippe Tytgat
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Brave New World Order – Triennale Jeune création, website, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2020-2021, w/ Thomas Bouville. bravenewworldorder.lu
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
The material discovery of the alphabet, Éloïsa Pérez, Poem, Frankfurt am Main, 2021. Published by Poem
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Almost Italic, typeface, 2021. Published by Poem
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman, Jérôme Knebusch (ed.), Poem & ANRT/ENSAD, Frankfurt am Main & Nancy, 2021.
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Louis Hoell and the making of the Eckmannschrift, Dan Reynolds, Poem, Frankfurt am Main, 2020. Published by Poem
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
![](https://www.jeromeknebusch.net/assets/images/dummy.png)
Ratdolt's Index characterum, the earliest known type specimen, Riccardo Olocco, Poem, Frankfurt am Main, 2020. Published by Poem
![](https://www.jeromeknebusch.net/assets/images/dummy.png)