Atelier Jérôme Knebusch
Mainzer Landstraße 105
60329 Frankfurt am Main
jk [at] jeromeknebusch.net
+49 69 15 61 60 23

Poster of the Hubba Bubba collage by Jérôme Knebusch (2010, from the Biography series) greatly enlarged and screenprinted by renowned printer Lézard Graphique, Brumath (F). At the occasion of the Aux petits bonheurs poster exhibition in Crest (F), 2020. Limited edition of 10 copies, signed and numbered. The unsigned copies were pasted in the streets of Crest.

Title
Hubba Bubba
Date
2020
Type
Artworks
Client
Centre d'Art de Crest
Place
Crest
Material
Poster, collage
Limited edition
Poem
Screenprint
Lézard Graphique, Brumath

Hubba Bubba, Centre d'Art de Crest, 2020. Published by Poem.

Garden Party, Sébastien Gouju, Saarländische Galerie, Berlin, 2011.

From metal type to phototypesetting, from the typewriter to the Minitel, and from engraving to dry-transfer lettering, the typographical work of Ange Degheest (1928-2009) testifies of the numerous technical changes the printing and telecommunication sectors went through during the second half of the twentieth century. Ange Degheest’s story is remarkable and a perfect illustration of the technical odyssey that took place throughout the twentieth century. Yet it is astonishing and disturbing to realise that, in spite of the quality and diversity of her lettering and type design work, her name has been forgotten amongst the list of those who have shaped the history of typography to this day. Reviving Ange Degheest was collectively written in Benjamin Gomez's type design class at EESAB Rennes by Eugénie Bidaut, Oriane Charvieux, Anaïs Déal, Luna Delabre, Camille Depalle, Mandy Elbé, Justine Herbel and May Jolivet. Afterword 'Ange Degheest, a female ghost of France’s type history' by Alice Savoie. Edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series.

Title
Ange Degheest
Date
2022
Type
Editorial design
Client
Poem
Place
Frankfurt am Main
Material
Pamphlet
Publisher
Poem

Reviving Ange Degheest, type class EESAB Rennes, Poem, Frankfurt am Main, 2022.

Editorial design of the Pangramme: learning type design catalogue, published by ESAL Metz, 2016. The catalogue showcases fifty unpublished student type designs, interviews held by the Design graphique & Typographie class at ESAL Metz with the jury members: Andrea Tinnes (Germany), Alejandro Lo Celso (Argentina), Matthieu Cortat (France), Hans-Jürg Hunziker (Switzerland) & Gerard Unger (Netherlands). The catalogue features also bibliography in images, essential books when learning type design, published between 1905 and 2016. Book entirely printed in single black, and distributed freely at the opening of the exhibition. 15x26 cm, 200 pages, soft-cover with dustjacket, limited to 300 copies. Free PDF download of the catalogue (link below). More information about the exhibition here.

Title
Pangramme: learning type design
Date
2016
Type
Education, Editorial design
Client
École Supérieure d'Art de Lorraine
Place
Metz
Material
Catalogue
Assistance
Francis Ramel, Rafael Ribas
Text typeface
Messine
Paper
Munken Lynx
Printing
Imbescheidt, Frankfurt am Main
Edition
École Supérieure d'Art de Lorraine

Pangramme: learning type design, ESAL Metz, 2016.

A letter from Sancho Panza to his wife, HEAR Mulhouse, 2015.

Katjas Kinderkrippe, Baden-Baden, 2016.

Almost is a typeface between gothic and roman. Based on in-depth research, it was designed by Jérôme Knebusch in 2012-2019 in five weights and two styles, Gothic and Roman, and completed in 2021 with respective italics. Almost Display was added to the collection in 2024, intended to headlines and shorter texts in bigger sizes. It carefully adapts its proportions to save horizontal space, and sharper terminals look more refined, especially in bolder weights. Almost Display otherwise mirrors the various expressive possibilities of Almost, and might be the preferred choice in point sizes above twenty. More information about Almost on Poem's website.

Title
Almost Display
Date
2024
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Conference
Gotico-Antiqua symposium, Nancy 2019
Award
Type Directors Club 2020
Award
Typographica 2019
Publisher
Poem

Almost Display, typeface, 2024. Published by Poem.

The remarkable edition of Das Blumenbuch [The Flower Book] was published several times between 1929 and 1942, from small pocket book editions to precious volumes and portfolios, involving many collaborators, printers and publishers like Mainzer Presse, Ernst-Ludwig-Presse in Darmstadt and Insel-Verlag, Leipzig. Rudolf Koch, explains in a letter that he ‘collected [flowers] at random and without any particular aim. I ketched only the ones which grew in and around Offenbach … This collection is intended to give people a taste of summer while it is winter.’ One member of Koch’s ‘Werkstatt’, the young Fritz Kredel, engraved most of the 250 drawings in pear wood. Online lecture given at ANRT Nancy. With rare and unpublished material from the Klingspor Archives. Courtesy Klingspor Museum, Offenbach am Main. Video recording link below.

Title
About the Blumenbuch
Date
2020
Type
Research
Client
Atelier National de Recherche Typographique
Place
Nancy
Material
Conference
Video
ANRT 2020

O. Offenbach [About the Blumenbuch], lecture, ANRT Nancy, 2020.

Conference given at ISType Mono series, Istanbul, in 2014. Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. More informations on Instant here. Video link below.

Title
Instant: from handwriting to type design
Date
2014
Type
Research
Client
ISType
Place
Istanbul
Material
Conference
Video
IStype Mono 2014

Instant: from handwriting to type design, conference, ISType Mono, Istanbul, 2014.

Decode Old Arabian [North & South], custom typeface, Hochschule Mainz, 2016. decodeunicode.org

Artem is the custom exclusive typeface for ARTEM, which stands for Art, Technology and Management,an original initiative set up by the École nationale supérieure d'art et de design de Nancy, ICN Business School and Mines Nancy. For everyday text use, an extension known as Artem Bureau has been added to the Artem type family. While Artem is a unicase type (a singular mixture of some capitals and minuscules), Artem Bureau is a complete set of lowercase and capitals for everyday office use, and enhanced with more extensive functions and glyphs. Currently, only ENSAD Nancy uses this typeface, available in Regular, Bold (2017) and Italic (2022). ENSAD Nancy has also ordered a graphic version, Artem Dot, which reinforces its identity within the overall Artem project. More information on the Artem identity typeface page.

Title
Artem Bureau
Date
2017–2022
Type
Type design
Client
École nationale supérieure d'art et design Nancy
Place
Nancy
Material
Custom typeface

Artem Bureau Italic, custom typeface, ENSAD, Nancy, 2017, 2022.

Almost is a typeface between gothic and roman. It was designed by Jérôme Knebusch in five weights and many alternates. They can be endlessly combined, taking either a roman or gothic direction, without falling in a strong, broken script nor becoming a ‘pure’ roman design. Above, uncialesque and bizarre (Byzantine) letterforms and a full set of initials complete the fonts. All take their inspiration in the 15th century, specifically in the period of 1459-1482 with Gotico-Antiqua typefaces like the ‘Durandus’ of Fust & Schöffer, the first type to present a humanistic tendency. A few years later Sweynheim & Pannartz use a type in Subiaco which some consider to be the first roman although gothic influences remain clearly visible. Roman type was finally defined in 1469-70 in Venice by the ‘de Spira’ brothers and Nicolas Jenson. But roman did not precipitate the death of gothic forms, mixtures of gothic and roman were tried out and the two co-existed for some time. Almost is a hommage to these types, which represent a unique, transitory moment in history of typography. More information about Almost on Poem's website.

Title
Almost
Date
2012–2019
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Conference
Gotico-Antiqua symposium, Nancy 2019
Award
Type Directors Club 2020
Award
Typographica 2019
Publication
Poem

Almost, typeface, 2012-2019. Published by Poem.

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