Atelier Jérôme Knebusch
Mainzer Landstraße 105
60329 Frankfurt am Main
jk [at] jeromeknebusch.net
+49 69 15 61 60 23

Futura Super Extra Bold, Gutenberg Museum Mainz, 2017.

Art direction, design & organisation of the Pangramme: learning type design call and exhibition together with the Design graphique & Typographie class at ESAL Metz. The exhibition showcases fifty unpublished student type designs. Jury: Andrea Tinnes (Germany), Alejandro Lo Celso (Argentina), Matthieu Cortat (France), Hans-Jürg Hunziker (Switzerland) & Gerard Unger (Netherlands). The exhibtion traveled after ESAL Metz to ESAD Amiens, Le Signe Chaumont, ATypI Montréal and Druckkunst Museum Leipzig. Free PDF download of the catalogue (link below).

Title
Pangramme: learning type design
Date
2016–2018
Type
Education, Visual identity
Client
ESAL, ESAD, Le Signe, ATypi, Museum für Druckkunst
Place
Metz, Amiens, Chaumont, Montréal, Leipzig
Material
Exhibition, call for applications, signage, ads
Assistance
Francis Ramel
Download
Catalogue

Pangramme: learning type design, ESAL Metz, ESAD Amiens, Le Signe Chaumont, ATypI Montréal, Druckkunst Museum Leipzig, 2016-2018.

A letter from Sancho Panza to his wife, HEAR Mulhouse, 2015.

Parix, w/ Thomas Huot-Marchand, isdaT Toulouse, 2018.

One week workshop and research trip with ANRT students at Biblioteca Santa Scolastica in Subiaco, 2018. Digital revival of the two types used (and probably also created) by Konrad Sweynheim & Arnold Pannartz in Subiaco and Rome. Part of the Gotico-Antiqua research program. Published as free OpenSource fonts at ANRT (link below).

Title
Sweynheim & Pannartz
Date
2018
Type
Education, Research
Client
Atelier National de Recherche Typographique
Place
Subiaco
Material
Workshop
Publication
Free OpenSource fonts

Sweynheim & Pannartz, w/ Thomas Huot-Marchand & Emilie Rigaud (ANRT), Biblioteca Santa Scolastica, Subiaco, 2018.

In 2011, students of ESAL Metz started within a workshop with Argentinian type designer Alejandro Lo Celso and their teacher Jérôme Knebusch a specific design for their school. Looking for a bookish typeface tending to modern forms, the students found interesting references in the work of Baskerville and Didot, precisely: exactly inbetween. The type grew during the following years, each time in intensive workshop sessions, to a complete type family named Messine, covering text, display, poster, italic, bold, sans and serif versions. Today, Messine is the official and exclusive typeface of the school, used all over its documents.

Title
Messine
Date
2011–2019
Type
Education, Type design
Client
École Supérieure d'Art de Lorraine
Place
Metz
Material
Workshop programme, custom typeface
Interview
Graphisme en France
Conference
Mets, Messins, Messine, Let's Type symposium, Metz 2013
Conference
Baskerville in France symposium, Amiens 2018
Award
Fine Press Book Association 2013
Award
Ampersand Exhibition 2013

Messine, workshop programme, custom typeface, w/ PampaType, ESAL Metz, 2011-2019.

Schriftgestaltung: zwischen Leserlichkeit und Ausdruck, Hochschule Darmstadt, 2016.