Jérôme Knebusch 

:
visual art
graphic design
editorial design
typography
type design
research
education
.

Upcoming

Quatre projets à long terme (dont un en cours), conference, Fine Art School Lyon, 23 January 2019.

Gotico-Antiqua, Proto-Roman, Hybrid. 15th century types between gothic and roman, symposium & exhibition, 25 and 26 April 2019, ANRT Nancy [website].

2018

ANRT cooking at freitagsküche, menu & poster release [The World's Writing Scripts], Frankfurt am Main, 30 November 2018.

bauhaus.variable, type design workshop, Typography Master, University of Applied Sciences Mainz, 1 - 2 & 15 - 16, November 2018 [workshop website].

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture, Goethe Institut Nancy, 25 October 2018, 6 pm.

Between Baskerville & Didot: Messine, lecture at Baskerville in France conferences, Fine Art and Design School Amiens, 18 – 19 October 2018.

Teaching assignment, type design, University of Applied Sciences, Darmstadt, winter semester 2018.

De Mayence à Venise. Sur les traces des premiers imprimeurs, exhibition, Goethe Institut Nancy, 5 October – 21 December 2018. Opening 5 October, 6:30 pm.

Drôles de types / Strange Types, bi-lingual article [F/E] in Azimuts 48/49, Saint Etienne [download pdf].

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at Malraux library, Strasbourg, 15 June 2018.

Jury participation, master in graphic design, School of Fine Art and Design, Valence, 21 – 22 June 2018.

Interview in Deutscher Drucker, N°9, May 2018 [online here].

hyperlivre, book symposium, School of Fine Art, Metz, 16 May 2018.

Sweynheim & Pannartz, type design workshop at Biblioteca Statale Monumento Nazionale Santa Scolastica, Subiaco, 8 – 15 May 2018.

Lecture at Typotage, Museum für Druckkunst Leipzig + opening of Pangramme : learning type design exhibition, 27 April 2018.

Publication of Einige Überlegungen zu Pangramme : learning type design at the occasion of its exhibition at Museum für Druckkunst Leipzig. Texts by Thomas Huot-Marchand, Sébastien Morlighem, Jérôme Knebusch, Andrea Tinnes [download pdf].

R-Bizarre, type design workshop at School of Fine Art, Metz, 17 – 20 April 2018.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at School of Fine Art, Metz, 18 April 2018.

Johann Parix, type design workshop with Thomas Huot-Marchand, School of Fine Art, Toulouse, 12 – 16 February 2018.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at BEP Library, Toulouse, 16 February 2018.

Participation at round table, Gutenberg 2018, BNU Library, Strasbourg, 3 February 2018.

Artem Bureau & Dot, custom typefaces designed for Fine Art & Design School Nancy, January 2018.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at Bauhaus University Weimar, 16 January 2018.

Hamlet, type design workshop at Bauhaus University Weimar, 16 – 19 January 2018.

2017

Typography as discovery, lecture at Fine Art School Metz, 13 December 2017.

Learning from Albers, type design workshop at University of Applied Sciences Mainz, 10, 11, 24 November 2017.

Typography as discovery, lecture at Museum Angewandte Kunst Frankfurt, 2 November 2017.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at University of Applied Science Aachen, 25 October 2017.

Zainer’s Gotico-Antiqua, type design workshop at University of Applied Science Aachen, 23 – 27 October 2017.

Baskerwille, type design workshop with Thomas Huot-Marchand, Charles Mazé, Jérémie Hornus, Emilie Rigaud, National Institute for Typographic Research, Nancy, 12 – 20 October 2017.

Professor for typography ad interim, University of Applied Sciences, Mainz, winter semester 2017.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at ATypI Montréal, 13 September 2017 [video].

Pangramme : learning type design, international student type design exhibition, presented at ATypI, UQAM Montréal, 12 to 16 September 2017.

Interview in Boxhorn#33, publication of visual communication department at University of Applied Sciences Aachen [extract].

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at Zürcher Hochschule der Künste, MAS Type Design, 16 June 2017.

Publication of Quelques réflexions sur Pangramme : learning type design at the occasion of the Biennal of Graphic Design Chaumont. Texts by Thomas Huot-Marchand, Sébastien Morlighem, Jérôme Knebusch [download pdf].

Conference about Pangramme : learning type design at Biennal of Graphic Design Chaumont, Cinéma de l'Affiche, 19 May 2017.

Pangramme : learning type design, international student type design exhibition, presented at Biennal of Graphic Design Chaumont, Les Silos, maison du livre et de l'affiche, 13 May to 22 July 2017 [photos].

Futura Super Extra Bold, type design workshop at Gutenberg Musuem, 29 and 30 April 2017.

Stand one night, curating, participation & graphic design, group exhibition, 17 March 2017, Kelsterbacherstraße 22, Frankfurt am Main.

ENSAD’s typogramme, workshop at National Institute for Typographic Research, Nancy, 29 – 30 March 2017.

À l’Antique, editorial design, exhibition at Musée de l’Antiquité Rouen, co-edited with Frac Normandie Rouen [view].

New weights for Artem, custom type, University Alliance of Business, Engeneering & Art Schools, Nancy.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at Typostammtisch Berlin, 23 February 2017.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at Klingspor Museum Offenbach, 1st February 2017.

Avec ou sans raison, editorial design, Sophie Dubosc, catalog edited by Frac Normandie Rouen, distributed by les presses du réel [photos].

Je t’aime, moi non plus, editorial design, box with five pamphlets edited by Ergastule, Nancy. Longlisted by Schönste deutsche Bücher, Stiftung Buchkunst Frankfurt, 2017.

Publication of fourth Messine specimen, School of Fine Art Metz, focusing on the bold typeface [download pdf].

2016

Adam Rot, type design workshop with Thomas Huot-Marchand, School of Fine Art HBK Saarbrücken, 12 to 16 December 2016.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at School of Fine Art Saarbrücken, 12 December 2016.

Instant type family presented at Typo&,;:!, exhibtion at Musée de l'imprimerie et de la communication graphique Lyon, 10 November to 12 February 2017.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at School of Fine Art and Design Saint Etienne, 21 November 2016.

Contribution to Taking a Line for a Walk : Assignments in design education, edited by Nina Paim and Emilia Bergmark, Spector Books, 2016.

Pangramme : learning type design, international student type design exhibition, presented at School of Fine Art and Design Amiens, 20 October to 18 November 2016 [photos].

Teaching assignment, type design, University of Applied Sciences, Darmstadt, winter semester 2016.

Que choisir ?, participation at group exhibition curated by Miguel Costa, gallery MyMonkey, Nancy, 8 to 17 July 2016 [photos].

Durandus, type design workshop at University of Applied Sciences Mainz, June, 31 June to 9 July, 2016. In partnership with Gutenberg Museum Mainz.

Relaunch of visual idenitity and website of Praxiszentrum Bauer & Coll, Kehl am Rhein. Programming Thomas Bouville [www.praxiszentrumbauer.net].

Interview about Pangramme : learning type design, Graphisme en France, Centre National des Arts Plastiques, Paris [read].

Curating & art direction of Pangramme : learning type design, international student type design exhibition at School of Fine Art Metz, with the students of its Graphic & Type Design class. Assistance by Francis Ramel and Rafael Ribas. Edition catalogue [full pdf download], more information at www.pangramme.org

Messine, workshop with Alejandro Lo Celso, Fine Art school in Metz, 2 – 6 May 2016 [photos].

Messine, research programme from School of Fine Art Metz presentetd at Vision – Recherche en art et en design, Palais de Tokyo, 13 – 18 April 2016 [view animated specimen].

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at University of Applied Sciences Mainz, 13 April 2016.

Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman, lecture at School of Fine Art and Design Valence, 7 April 2016.

Jessen Schrift, type design workshop with Thomas Huot-Marchand at School of Fine Art and Design Valence, 6, 7, 25, 26 April 2016.

Blockdock Unicode, custom type design for decodeunicode, research project by Johannes Bergerhausen at University of Applied Sciences Mainz [www.decodeunicode.org].

Identity design for Alte Buchbinderei, appartement hotel in Baden-Baden [photos].

Identity design for Katjaskinderkrippe, day nursery in Baden-Baden.

Cover image & extensive use of Instant typefaces for ANRT Archives 1985 – 2016, designed by Huz & Bosshard, edited by National Institute for Typographic Research, distributed by Les presses du réel, 2016 [photos].

2015

Identity design and website relaunch for French artist Etienne Pressager, programmming by Thomas Bouville, Nancy, [www.etiennepressager.fr].

Publication of third Messine specimen, School of Fine Art Metz, focusing on the italic typeface [download pdf].

Notizen zu Berlin integrates the contemporary book collection of Museum Angewandte Kunst Frankfurt am Main.

Identity design for residency pamphlets Je t’aime, moi non plus, Ergastule, Nancy, editorial design of the third issue of Mendel Heit.

The Origin of the Serif, workshop, with Alice Savoie, Emilie Rigaud, Charles Mazé and Thomas Huot-Marchand at National Institute for Typographic Research, Nancy, 2 – 9 October 2015.

Identity design for residency pamphlets Je t’aime, moi non plus, Ergastule, Nancy, editorial design of the third issue of Claire Hannicq.

Identity & graphic design of the third season of Artifice, residencies and poetry lectures in Charleville-Mézières.

Extensive use of Instant type family for Ateliers Ouverts, Strasbourg, graphic design by Nouvelle Etiquette, Metz, [photos].

Conference about Instant at typography class of University of Art and Design HfG Offenbach, 11 May 2015.

Conference about Instant at Grotesk, Schrift der Zukunft / Typeface of the Future, Gutenberg Museum, 16 and 17 April 2015.

Cristallisations, la naissance d’un ordre caché, participation at group exhibition, Cristalleries Saint Louis, curated by Centre Pompidou-Metz, 9 April to 21 September, 2015.

A letter from Sancho Panza to his wife, type design workshop at School of Fine Art and Design HEAR Mulhouse, 23 – 26 March 2015.

Schnell, Schnell, participation at group exhibition, Basis Projektraum, Frankfurt, curated by Caroline Froissart, 21 February 2015.

*
[abcdefghijklmnopqrstuvwxyz] created by Jérôme Knebusch, 2005 – 2012. A licence of Instant type family can be purchased here, delivery [OpenType PS files for Mac & PC] after payment per Email via one busines day. Prices for a single desktop licence for 1 user up to 2 workstations. For other licences [Multi-User, Webfonts, Server, Games, Apps, eBooks, TV, Logo] please take contact. The prices include all applicable taxes. Please read carefully the EULA before purchasing the fonts. Download here a detailled pdf specimen.

Instant Vivid — 60 €
Instant Quick — 60 €
Instant Regular — 60 €
Instant Slow — 60 €
Instant Heavy — 60 €
Instant Family — 240 €

Also available at MyFonts.

*
Halbgotische, Gotico-Antiqua, Fere-Humanistica : between blackletter and roman
is a current research programme at National Institute for Typographic Research, ANRT, Nancy [info].

© Jérôme Knebusch, all rights reserved, 2018.

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