Katjas Kinderkrippe, Baden-Baden, 2016.
Artifice, Musée de l’Ardenne, Médiathèque Charleville-Mézières, 2013-2015.
Garden Party, Sébastien Gouju, Saarländische Galerie, Berlin, 2011.
Jardin de Cristal, Abbaye des Prémontrés, Pont-à-Mousson, 2007.
Visual identity and design of the Brave New World Order – Triennale Jeune Création website. The young art triennale is a major event for emerging artists from Luxembourg and the Greater Region. The website showcases 40 artists and a forum, initiated during the Covid pandemic which delayed the exhibition for one year. Each artist could login and update his profile. The starting page is randomly customized, displaying each time in another order the black and white identity drawings. The identity integrated the custom design of a typefaces in two styles.
Brave New World Order – Triennale Jeune création, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2020-2021, w/ Thomas Bouville.
Drawing Time / Le temps du dessin, Musée des Beaux-Arts & galeries Poirel, Nancy, 2010.
Visual identity and design of the symposium & exhibition Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman held at ENSAD Nancy in 2019. Design in French and English includes signage, poster, booklets and micro-website where you can find more information about the project (see link below). First use of the Almost typeface.
Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman, symposium & exhibition, ANRT/ENSAD Nancy, 2019.
Triennals, prefiguration event of the Luxembourg young contemporary art triennale, with former triennale participants. Custom single-typeface and 'ongoing' visual identity which will evolve in the Brave New World Order identity of the triennale held one year later. See this website for more.
Triennials, visual identity & custom typeface, Rotondes, Cercle Cité, Casino Luxembourg, 2020.
Accent sur Est, École Supérieure d’Art, Metz, 2008.