Atelier Jérôme Knebusch
Mainzer Landstraße 105
60329 Frankfurt am Main
jk [at] jeromeknebusch.net
+49 69 15 61 60 23

Visual identity and design of the symposium & exhibition Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman held at ENSAD Nancy in 2019. Design in French and English includes signage, poster, booklets and micro-website where you can find more information about the project (see link below). First use of the Almost typeface.

Title
Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman
Date
2019
Type
Research, Visual identity
Client
Atelier National de Recherche Typographique
Place
Nancy
Material
Exhibition, symposium, signage, poster, booklets
Website
gotico-antiqua.anrt-nancy.fr
Screenprint
Lézard Graphique, Brumath

Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman, symposium & exhibition, ANRT/ENSAD Nancy, 2019.

Garden Party, Sébastien Gouju, Saarländische Galerie, Berlin, 2011.

Katjas Kinderkrippe, Baden-Baden, 2016.

klaatu barada nikto: histoires de science-fiction, ESAL Metz, 2013.

Visual identity and design of the Brave New World Order – Triennale Jeune Création held at Rotondes and Casino Luxembourg – Forum d'art contemporain in 2021. The young art triennale is a major event for emerging artists from Luxembourg and the Greater Region. Initiated during Luxembourg European Capital of Culture 2007, the Triennale was held for the fifth time in 2021. Under the curation of Kevin Muhlen, director of the Casino Luxembourg, the exhibition was highlightning a 'Brave New World Order' as seen and represented by millennials. Design of posters, booklets, ads, invitations, outdoor shops and more. The identity integrated the custom design of a typefaces in two styles. See here for more information on the design of the catalogue. Here for more information on the signage project. And here for the website.

Title
Triennale Jeune Création
Date
2021
Type
Visual identity
Client
Rotondes, Casino Luxembourg
Place
Luxembourg City
Material
Posters, booklet, invitation, animations, ads
Animations
Philippe Tytgat

Brave New World Order – Triennale Jeune Création, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2021.

À l’occasion > Rencontres nationales de la Fraap, Trinitaires & 49 Nord 6 Est Frac Lorraine Metz, 2008.

‘La page projetée. Livres fictionnels au cinéma’ [The projected page. Fictionnal books in movies] is a pedagogical project led by the Institut Page at ESAL Metz, in collaboration with Léo Coquet, Elamine Maecha, and the institute's students. We analyzed existing films that feature fictional books – books that appear only on screen and were never actually edited or published. These books are often reduced to their physical appearance as cinematic props, typically limited to a cover. Yet they actively contribute to the narrative and, in some cases, even extend it. The research project was presented during The 2024 Biennale Exemplaires in Valence and a one-day symposium in Metz, featuring Agatha Masa, officeabc, Alice Planes, and Pierre Leguillon. This event was promoted via social media and a printed poster. A (filled) popcorn cup was handed out at the entrance of the symposium, with the program printed on it.

Title
La page projetée
Date
2024
Type
Research, Visual identity, Editorial design
Client
ESAL Metz
Place
Metz
Material
Poster portfolio, popcorn cup, ads
Publisher
ESAL Metz
Editors
Léo Coquet, Elamine Maecha, Jérôme Knebusch
Texts
Léo Coquet, Emilia Bernard, Corentin Ferry, Alix Hetreux, Yu-Chien Huang, Maddy Lepage, Théo Michaud, Gabin Nivard, Léa Pesant, Valentine Poulet, Erwan Wilhelm
Photography
Léo Coquet
Typeface
Bureau Grotesque
Printing
Édicolor, Bain-de-Bretagne, pok Büroartikel, Berlin, ESAL Metz
Copies
400
ISBN
979-10-90886-22-3

La page projetée. Livres (fictionnels) au cinéma, research symposium, ESAL Metz, 2023. Visual identity, w/ Institut Page

Jardin de Cristal, Abbaye des Prémontrés, Pont-à-Mousson, 2007.

Triennals, prefiguration event of the Luxembourg young contemporary art triennale, with former triennale participants. Custom single-typeface and 'ongoing' visual identity which will evolve in the Brave New World Order identity of the triennale held one year later. See this website for more.

Title
Triennials
Date
2020
Type
Visual identity, Editorial design
Client
Rotondes, Casino Luxembourg
Place
Luxembourg City
Material
Pamphlet, animations

Triennials, visual identity & custom typeface, Rotondes, Cercle Cité, Casino Luxembourg, 2020.

Etienne Pressager, Malzéville, 2006. etiennepressager.fr