Atelier Jérôme Knebusch
Mainzer Landstraße 105
60329 Frankfurt am Main
jk [at] jeromeknebusch.net
+49 69 15 61 60 23

Almost is a typeface between gothic and roman. Based on in-depth research, it was designed by Jérôme Knebusch in 2012-2019 in five weights and two styles, Gothic and Roman, and completed in 2021 with respective italics. Almost Display was added to the collection in 2024, intended to headlines and shorter texts in bigger sizes. It carefully adapts its proportions to save horizontal space, and sharper terminals look more refined, especially in bolder weights. Almost Display otherwise mirrors the various expressive possibilities of Almost, and might be the preferred choice in point sizes above twenty. More information about Almost on Poem's website.

Title
Almost Display
Date
2024
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Conference
Gotico-Antiqua symposium, Nancy 2019
Award
Type Directors Club 2020
Award
Typographica 2019
Publisher
Poem

Almost Display, typeface, 2024. Published by Poem.

Conference given at ISType Mono series, Istanbul, in 2014. Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. More informations on Instant here. Video link below.

Title
Instant: from handwriting to type design
Date
2014
Type
Research
Client
ISType
Place
Istanbul
Material
Conference
Video
IStype Mono 2014

Instant: from handwriting to type design, conference, ISType Mono, Istanbul, 2014.

Three lingual, 16 pages article about the genesis of the Instant typeface. Published in Typografische Monatsblätter / Revue Suisse de l'imprimerie / Swiss Typographic Magazine, N°6, 2012. Written by Jérôme Knebusch. Free PDF download on link below.

Title
Instant: from handwriting to type design
Date
2012
Type
Research, Editorial design
Client
Typografische Monatsblätter / Revue Suisse de l'imprimerie / Swiss Typographic Magazine
Place
Bern
Material
Essay
Download
Article

Instant: from handwriting to type design, Typografische Monatsblätter / Revue Suisse de l'imprimerie / Swiss Typographic Magazine, N°6, 2012.

Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. Instant was designed by Jérôme Knebusch in 2005 as part of a personal research project at ANRT Nancy. First published in 2012 by BAT Foundry, it is today available at Poem. In 2020, Instant Variable was added to the collection.

Title
Instant
Date
2005–2012
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Article
Typografische Monatsblätter 2012
Interview
Azimuts 2013
Conference
IStype Mono 2013
Award
Typo­graphica 2012
Award
Best ten fonts of the year, Fontwerk 2012
Publication
Poem

Instant, typeface, 2005-2012. Research project at ANRT Nancy. Published by Poem.

klaatu barada nikto: histoires de science-fiction, ESAL Metz, 2013.

Visual identity and design of the symposium & exhibition Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman held at ENSAD Nancy in 2019. Design in French and English includes signage, poster, booklets and micro-website where you can find more information about the project (see link below). First use of the Almost typeface.

Title
Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman
Date
2019
Type
Research, Visual identity
Client
Atelier National de Recherche Typographique
Place
Nancy
Material
Exhibition, symposium, signage, poster, booklets
Website
gotico-antiqua.anrt-nancy.fr
Screenprint
Lézard Graphique, Brumath

Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman, symposium & exhibition, ANRT/ENSAD Nancy, 2019.

One week workshop and research trip with ANRT students at Biblioteca Santa Scolastica in Subiaco, 2018. Digital revival of the two types used (and probably also created) by Konrad Sweynheim & Arnold Pannartz in Subiaco and Rome. Part of the Gotico-Antiqua research program. Published as free OpenSource fonts at ANRT (link below).

Title
Sweynheim & Pannartz
Date
2018
Type
Education, Research
Client
Atelier National de Recherche Typographique
Place
Subiaco
Material
Workshop
Publication
Free OpenSource fonts

Sweynheim & Pannartz, w/ Thomas Huot-Marchand & Emilie Rigaud (ANRT), Biblioteca Santa Scolastica, Subiaco, 2018.

The old guys stole our best ideas. Three typographic perspectives on historical forms, conference held at Bibliothèque nationale et universitaire Strasbourg, 2024. With Francis Ramel and Laurent Bourcellier. Each of us presented two type revival projects. Francis presented Carolinéale and Baroque Brutal, Laurent Joos and Johannes, myself Nouveau Quellstift and Koch Grotesk. The conference was recorded, video link below.

Title
The old guys stole our best ideas
Date
2024
Type
Research
Client
Espace Européen Gutenberg
Place
Strasbourg
Material
Conference
Video
BNU Strasbourg, 2024

The old guys stole our best ideas, conference w/ Francis Ramel & Laurent Bourcellier, Bibliothèque nationale et universitaire Strasbourg, 2024.

Almost is a typeface between gothic and roman. It was designed by Jérôme Knebusch in five weights and many alternates. They can be endlessly combined, taking either a roman or gothic direction, without falling in a strong, broken script nor becoming a ‘pure’ roman design. Above, uncialesque and bizarre (Byzantine) letterforms and a full set of initials complete the fonts. All take their inspiration in the 15th century, specifically in the period of 1459-1482 with Gotico-Antiqua typefaces like the ‘Durandus’ of Fust & Schöffer, the first type to present a humanistic tendency. A few years later Sweynheim & Pannartz use a type in Subiaco which some consider to be the first roman although gothic influences remain clearly visible. Roman type was finally defined in 1469-70 in Venice by the ‘de Spira’ brothers and Nicolas Jenson. But roman did not precipitate the death of gothic forms, mixtures of gothic and roman were tried out and the two co-existed for some time. Almost is a hommage to these types, which represent a unique, transitory moment in history of typography. More information about Almost on Poem's website.

Title
Almost
Date
2012–2019
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Conference
Gotico-Antiqua symposium, Nancy 2019
Award
Type Directors Club 2020
Award
Typographica 2019
Publication
Poem

Almost, typeface, 2012-2019. Published by Poem.

Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. Instant was designed by Jérôme Knebusch in 2005 as part of a personal research project at ANRT Nancy. First published in 2012 by BAT Foundry, it is today available at Poem. In 2020, Instant Variable was added to the collection.

Title
Instant Variable
Date
2020
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Award
Typo­graphica 2012
Award
Best ten fonts of the year, Fontwerk 2012
Publication
Poem

Instant Variable, typeface, 2020. Published by Poem.

Of all the title fonts from the Klingspor type foundry, Neuland was probably the most frequently used abroad. But how was it produced? A letter Koch sent to Ernst Kellner in 1922 raises more questions than it answers, and designers have speculated for nearly half a century about whether Koch really cut the hallmarks without any preparation. Dan Reynolds has examined the various sources; Edvinas Žukauskas and Jérôme Knebusch have digitised the different sizes for the first time. The essay Making Neuland and the typeface Koch Grotesk were published by Poem for Neuland’s centenary in 2023. Conference held at ENSAD Nancy, 28 November 2023. It was recorded, link below.

Title
Making/Remaking Neuland
Date
2023
Type
Research
Client
École nationale supérieure d'art et design Nancy
Place
Nancy
Material
Conference
Video
ENSAD Nancy 2023

Making/Remaking Neuland, conference, ENSAD Nancy, w/ Dan Reynolds & Edvinas Žukauskas, 2023.

Koch Grotesk is the newest revival of Neuland by Rudolf Koch, designed by Edvinas Žukauskas and Jérôme Knebusch and published by Poem for Neuland’s centenary in 2023. It is the most faithful to Gebr. Klingspor’s products and includes one separate font for each of the nine original sizes. The appearance is rough, especially when comparing multiple sizes. One notices that the characters in each size are not enlarged or reduced versions of the same master. Koch wrote, ‘the inventor of the form and the maker of the punches were united in one person. The typeface was created without a previous draft on paper, from the mass of metal and the [punchcutter’s] tool, as a sculptural task.' Koch Grotesk also includes a tenth font with lowercase letters. For the first time, this tenth font gives designers access to Gebr. Klingspor’s never-released Neuland lowercase and their matching uppercase. Koch Grotesk was accurately redrawn based on the archives at Klingspor Museum Offenbach and Hessisches Landesmuseum Darmstadt. Only few, necessary glyphs have been added, and the font names correspond to the point sizes and original German terms. 10% of licence purchases are deposited each year as flowers on Koch's grave.

Title
Koch Grotesk
Date
2019–2023
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Conference
ENSAD Nancy 2023
Publisher
Poem

Koch Grotesk, typeface, 2019-2023, w/ Edvinas Žukauskas. Published by Poem.

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